is an international, peer-reviewed journal investigating the body of architectural knowledge.
addresses design as the core of the architecture discipline and investigates the creation, constitution, and mediation of architectural knowledge.
aims to explore processes, procedures, and outcomes from both practice and research, with particular attention to architectural design, and to investigate epistemologies of aesthetic practices and research.
assembles contributions referring to the constitution and body of knowledge in architecture, aiming to exploit specific architectural knowledge, its mediation, investigation, and research.
refers to the multidirectional impacts and subject areas within the architectural discipline, including architectural design, construction, technology, landscape architecture, urban planning and design, as well as the history and theory of architecture, and reflects affinities to other fields through interdisciplinary investigation.
explicitly invites contributions that link or reflect research and design.
Objective
Dimensions. Journal of Architectural Knowledge is an academic journal in, on, and from the discipline of architecture, addressing the creation, constitution, and transmission of architectural knowledge. It explores methods genuine to the discipline and architectural modes of interdisciplinary methodological adaptations. Processes, procedures, and outcomes of knowledge creation and practice are valued equally, with particular attention to the architectural design and epistemologies of aesthetic practice and research.
Context
The journal was founded at the Technical University of Munich by Prof. Uta Graff, Prof. Dr. Ferdinand Ludwig, and Dr. Katharina Voigt in 2019.
Ever since, the founding members of Dimensions have continued to contribute to the journal’s evolution as Lead Editors. Since 2025, the Lead Editorial Board has been extended by Prof. Dr. Sandra Meireis (Technical University of Darmstadt), Prof. Dr. Jörg Schröder (Leibniz University Hannover), and Benedikt Boucsein (Technical University of Munich), as well as by Assistant Editor Lumi Kirk (Technical University of Munich). DIMENSIONS publishes two Curated Editions per year, featuring contributions dedicated to the overarching investigation of broad subjects in architectural research and knowledge creation, and launches respective Calls for Contributions in regard to the thematic framing of each Curated Edition to invite contributors for submission.
Focus
A high scientific and content-related standard is an essential principle of DIMENSIONS’s mission. An integral part of this objective is to meet the requirements of good scientific practice and publication ethics. The editorial and publication context of the journal meets this requirement, in bringing together the expertise and experience of academic publishing and leading architectural institutes to form the background of this journal. According to international standards, the guidelines for ethical editing by the Committee on Publication Ethics form the foundation upon which the editorial work and procedures of peer-review selection and quality assurance are based (cf. http://publicationethics.org). The academic advisors, editors, and publishers play a key role in preserving this quality.
Aim
As the overarching aim of DIMENSIONS is to contribute to the body of knowledge in the discipline of architecture, the editors make it their mission to contribute to the scholarly discourse. As a self-understanding academic journal of architectural knowledge, DIMENSIONS represents the established body of knowledge, while also contributing to its future extension and expansion. It is the aim of the journal to provide a context for high-standard academic publishing in the field of architecture, inviting scholars and writers at all stages of their career to contribute their knowledge, research, and investigation to the discourse and thereby emphasize an increase in an informed debate in the architecture discipline and its scientific practice.
Community
To ensure a transparent procedure and provide equal information to all participants, DIMENSIONS offers an author’s guide and guidelines for peers, enabling comparability and consistency across all editions. Furthermore, the journal provides a continuously growing network and community of researchers and scholars. At the event of the publishing of the respective issues or throughout their creation process, release events, symposiums, conferences, or workshops complement the publications and provide opportunities for all people involved to meet, exchange, collaborate, and co-create.
Lead Editors
Benedikt Boucsein (Prof. Dr.)
Technical University of Munich
Uta Graff (Prof.)
Technical University of Munich
Ferdinand Ludwig (Prof. Dr.)
Technical University of Munich
Sandra Meireis (Prof. Dr.)
Technical University of Darmstadt
Jörg Schröder (Prof. Dr.)
Leibniz University Hannover
Katharina Voigt (Dr.)
Akademie für Raum und Kunst
Assistant Editor
Lumi Kirk (M.A.)
Technical University of Munich
Advisory Board
Sonja Dümpelmann (Prof. Dr.)
Ludwig Maximilian University Munich
Lidia Gasperoni (Prof. Dr.)
The Bartlett School of Architecture
Susanne Hauser (Prof. Dr. habil.)
UdK University of the Arts Berlin
Wilfried Kühn, (Prof.)
Technical University of Vienna
Board of Reviewers
Nicolai Bo Andersen, Royal Danish Academy Copenhagen
Matthias Ballestrem, HafenCity University Hamburg
Anders Bergström, KTH Stockholm
Camillo Boano, UCL London
Katarina Bonnevier, Linné University
Benedikt Boucsein, Technical University of Munich
Marianna Charitonidou, National Technical University of Athens
Emma Cheatle, University of Sheffield
Adam Czierak, MUK Wien
Kathrin Dörfler, Technical University of Munich
Isabelle Doucet, CTH Chalmers
Board of Reviewers
Dietrich Erben, Technical University of Munich
Catharina Gabrielsson, KTH Stockholm
Fabian Goppelsröder, HBK Braunschweig
Katja Grillner, KTH Stockholm
Maria Hellström Reimer, Malmö University
Sophie Hochhäusl, University of Pennsylvania
Ebba Högström, Blekinge Institute of Technology
Janna Holmstedt, National Historical Museums in Sweden
Heidi Kajita Svenningsen, University of Copenhagen
Irene Kelly, UCL London
Board of Reviewers
Behzad Khosravi Noori, Konstfack - University of Arts, Crafts and Design, Stockholm
Daniel Koch, KTH Stockholm
Elke Krasny, Academy of Fine Arts Vienna
Uta Leconte, Technical University of Munich
Mona Livholts, University of Helsinki
Daniel Lohmann, Leibniz University Hannover
Ferdinand Ludwig, Technical University of Munich
Charlotte Malterre-Barthes, EPFL Lausanne
Helena Mattsson, KTH Stockholm
Ramia Mazé, University of the Arts London
Board of Reviewers
Anna-Maria Meister, TU Darmstadt
Kryzstof Nawratek, University of Sheffield
Anna Maria Orrù, Konstfack - University of Arts, Crafts and Design, Stockholm
Julieanna Preston, Massey University’s College of Creative Arts in Wellington, New Zealand
Sophia Psarra, UCL London
Patrícia Joao Reis, Academy of Fine Arts Vienna
Karin Reisinger, Academy of Fine Arts Vienna
Svava Riesto, University of Copenhagen
Jonas Runberger, CTH Chalmers
Gabrielle Schaad, Technical University of Munich
Board of Reviewers
Peter Schmid, Technical University of Munich
Susanne Schindler, Harvard University
Gerhard Schubert, Technical University of Munich
Rainer Schützeichel, ETH Zurich
Dubravka Sekulić, RCA London
Jan Silberberger, ETH Zurich
Erik Stenberg, KTH Stockholm
Alain Thierstein, Technical University of Munich
Taguhi Torosyan, Academy of Fine Arts Vienna
Stephanie van der Voorde, Vrije Universiteit Brussels
Christiane Weber, Innsbruck University
Board of Reviewers
Ines Weizman, RCA London
Sophie Wolfrum, Technical University of Munich
Stefanie Wuschitz, TU Berlin
Daniel Zwangsleitner, Technical University of Munich
Twice a year DIMENSIONS publishes curated editions on superordinate framing subjects . Calls for Contributions are launched publicly and contributions to the thematic framing of the respective edition are selected in a double-blind Peer-Review procedure.
The curated editions are published in print and Open Access at transcript Academic Publishing Bielefeld, Germany.
All Open Access Publications are diamond standard accessible under the creative commons license.
Issue 01/2021
edited by Katharina Voigt, Uta Graff and Ferdinand Ludwig
Further Information
Open Access
explores different lines of enquiry with specific focus on their methodology.
Design-based, reflexive, qualitative, experience-based, archival and interdisciplinary perspectives are investigated.
Issue 02/2021
edited by Katharina Voigt and Virginie Roy
Further Information
Open Access
explores the movements triggered by spatial, situational, and corporeal experiences and the sensations of being moved.
investigates lived experience as source for the constitution of knowledge. It is concerned with the movements of exploration and the inner sensations of being moved by experience. Addressing situational experience allows bringing implicit dimensions of perception to attention.
is looking for a tangible understanding to emerge in the actual encounter, as well as connected to memory and imagination. Practitioners and scholars from various disciplines are invited, to open the realm of discussion for theoretical, applied, and practice-related forms of research.
alignes contributions to enrich the discourse of architecture and its versatile dimensions. Theorists and practitioners from all disciplines are invited to reflect upon »Spatial Dimensions of Moving Experience« and to bring in their specific observations gained in practice and/or teaching.
Issue 03/2022
edited by Meike Schalk, Torsten Lange, Andreas Putz,
Tijana Stevanović, and Elena Markus
Further Information
Open Access
is concerned with practice-oriented research.
The title of this issue is borrowed from Species of Spaces and Other Pieces by George Perec (1974).
The term »thesis« comes from the Greek meaning »something put forth«, and refers to a proposition. How we know is as much mediated through the thesis’ form as it is through its content.
In reference to George Perec, »Species of Theses« takes the love for playing with forms, genres, and arrangements as its program.
The appropriation of specific formats or modes of representation (such as an archive, exhibition, performance) can prompt imagining other ways of performing research, and communicating findings with diverse audiences.
Issue 04/2022 edited by
Max Treiber, Sandra Meireis, Julian Franke
Further information
Open Access
aims to conduct a discourse that provides a comprehensive collection of theories, methods, and visions to highlight the relevance of montage for visual and spatial practices as well as for knowledge production in architecture.
invites contributions that address the »Essentials of Montage in Architecture« from the perspectives of perceiving and reflecting, communicating, designing, and making in or around the discipline of architecture.
encourages visual essays in addition to full paper contributions and is explicitly open and unrestricted concerning the methods of practice-related investigations and research.
welcomes contributors to assemble observations in the mode of visual contributions (documentations or any other form of notation).
aims to show and classify the wide diversity in this edition, exploring the following sections:
Definitions of Montage
Montage Techniques
Montage as a Communication Tool
Montages in Mind
Environmental Montages
Issue 05/2023
edited by Elettra Carnelli (ZHAW / ETH Zurich),
Federico Marcolini (Politecnico di Milano, Milan),
Fabio Marino (Politecnico di Milano, Milan),
Rafael Sousa Santos (FAUP Porto).
Further information
Open Access
reflects the complex process of design, in which architects must involve and are involved with different actors, professionals, and sets of knowledge that contribute to the architectural project, both in the design and in the realization phases.
seeks contributions that explore the impact of collaborations on design processes, by considering the conditions of their integration into architectural practice and discourse.
encourages architects and architecture collaborators to reflect upon their working processes, collaborations and their thinking or rethinking of architectural design.
aims to initiate an exchange between theory and practice, contributing to the discussion on collaborations and interdisciplinarity as well as its application within design practice.
investigates the impact of collaborations – inside and beyond the discipline of architecture – on tools and methods of architectural design.
Issue 06/2023
edited by Nicolai Bo Andersen, Victor Boye Julebæk, Eva Sievert Asmussen
(Royal Danish Academy)
focusses on architectural approaches relating to the overall question of making sense in architecture, defined as the production of architectural knowledge through the physical act of making.
is concerned with the production of actual material samples, models, mock-ups and full scale installations in the fields of architectural teaching, research, and practice.
investigates how making architecture may be understood as a way of thinking, defined as bodily interaction with the physical world.
explores how making architecture plays a role in redefining the praxis of the architect in relation to the accelerating ecological crisis.
seeks reflections of architectural sense-making through theoretical, philosophical and/or practice-based perspectives, relating to the themes BODY, MATERIAL, and WORLD
calls for submissions based on one or more physical artifacts, presented as technical drawings and/or photographs in combination with a written text.
exploits how the production of architectural knowledge can be understood not just as a logical exercise, but as an aesthetic practice.
Issue 07/2024
edited by Eva-Maria Ciesla (FU Berlin), Susanne Hauser (UdK Berlin),
Hannah Strothmann (UdK Berlin), Julia Weber (FU Berlin)
This thematic issue of Dimensions aims to shed light on architecture’s inherent potential for spatial, social and political intervention as a means to alter or modify specific situations.
More than ever, architecture is challenged by claims to address issues such as climate change, the consequences of continued extractivism, and growing social inequalities on a global scale. As a discipline and practice, architecture is asked to reflect on new forms of sociality and to work in the face of crisis and conflict.
In view of this situation, this thematic issue seeks to initiate a discussion on the capabilities and limitations of architecture as intervention.
Contributions may address theoretical approaches to architecture as intervention and specific ways of intervening through architecture. Invited are case-studies of designs, conceptual sketches, performative realizations and built structures.
Issue 08/2024
edited by Kadambari Baxi (Barnard College, Columbia University, New York), Isabel Glogar (Technical University of Munich),
Gabu Heindl (University Kassel), Bernadette Krejs (Vienna University of Technology), Tatjana Schneider (TU Braunschweig).
Times of multiple crises – characterized by inequality, exploitation, conflicts and violent forms of extraction – require multidimensional and diverse forms of thinking, designing and building.
They disrupt and challenge existing paradigms in the field of architecture.
What do multiple crises do to architecture as profession, practice and discipline?
How do architects and other spatial practitioners contribute to other imaginaries?
This issue invites for all forms of contributions reflecting on practice- and activism-related research and the superordinate constitution of knowledge.
We are especially interested in reflections that address collective intersectional engagements for more multifaceted, spatial practices.
Issue 09/2025
edited by Uta Graff (Technical University of Munich), Irene Meissner (Technical University of Munich, Architekturmuseum), Maximilian Sternberg (University of Cambridge)
This issue investigates the perspective, design-process and oeuvre of Munich based architect Hans Döllgast and reflects on the nature of Döllgast’s unique relevance and appeal today.
Long considered as an outsider to the modern movement, Döllgast is a rooted visionary whose place in twentieth century architecture needs to be revisited.
»Rethinking Döllgast« is structured around the following themes: reception, rebuilding and revisiting, addressing the following questions:
What did he share with contemporary architects, both within and on the margins of the canon across Europe?
Does Döllgast belong to a tradition, and if so, how could this tradition speak to contemporary challenges?
How can Döllgast’s thinking, approach and oeuvre inspire today’s architectural practice?
What can we learn from Döllgast?
How can we fathom the architectural knowledge – regarding the process, thinking, approach, conception and making – contained in Döllgast’s work?
Issue 10/2025
edited by
Lidia Gasperoni (University College London)
Beata Hemer (Royal Danish Academy)
Jennifer Raum (Bauhaus-University Weimar)
Guro Sollid (Royal Danish Academy)
Guidelines for Authors.
Peer Review
Call for Contributions
Deadline: January 15, 2025
Contact can be an intimate affair, a source of friction, resulting in collisions or in new forms of cohesion and mutual understanding.
Considered within a zone, contact is framed within a spatial context, producing not only a conceptual but also a physical effect.
The climate emergency requires enormous reductions in CO² emissions, resource consumption and waste generated by construction, and creates conceptual and methodological challenges for the design of just environments.
These challenges go beyond the question of how to equip architecture with more sustainable techniques and materials that nonetheless reproduce the same distances and dichotomies between nature and culture, matter and form.
›Contact‹ is mediated through matter and across bodies, allowing us to explore the sensory and material affects and effects of an encounter. Contact is a reciprocal event, suggesting that it involves ›touching‹ and ›being touched‹.
›Zones‹ are understood as spaces that are constantly meditated and negotiated in encounters across differences. Using anthropologist Anna Tsing’s concept of friction, we can understand a contact across difference as a transformative space, an arena for the production of new agendas – and thus as an inherently political space.
This call offers four main focus-areas for responses, which may be merged and combined: Perspectives, Methodologies, Media, and Pedagogies.
For all Curated Editions, contributions are invited through open Calls for Contributions, which invite researchers and scholars to submit their work.
After submission, the contributions are selected through a double-blind peer review procedure.
For further information on the editorial process, please see: Editorial Policy
The Call for Contributions outlines the superordinate introduction to the edition’s thematic framing, presents the subject addressed, and formulates the requirements for the contributions and their alignment to the Curated Editions
Contributions selected for publication in the Curated Edition are free of charge.
For anonymous submission, please upload your work here.
Please note that all contributions have to strictly respect the following guidelines:
Guidelines for Authors.
Currently the following calls are open for submission:
Dimensions 14 – Detached Realities: Spatial Explorations in the Context of Single-Family Homes
CALL CLOSED
Issue 11/2026
edited by Isak Worre Foged (The Royal Danish Academy), Hugo Mulder (University of Southern Denmark),
Anne-Catrin Schultz (Wentworth Institute of Technology), Filip Van de Voorde (University of Antwerp / Denkbar)
This issue’s perspective on the notion of prototypes is deliberately broad, including all facets of the architecture discipline and allied fields.
Prototyping is inevitably connected with the making and building; samples, models or examples are made to gain new insights.
Prototypes may encapsulate the complete work and the thinking that led to it or capture an aspect of the work, as a biopsy or detail.
Prototyping goes along with experimenting, exploration, and/or testing.
Understanding things through critical and reflective making is pivotal in the inventive process of proceeding the knowledge gain inherent to it, and to make it explicit as research findings.
What knowledge is embodied in the prototype or has emerged through prototyping?
How does the prototype enable synergetic collaborations across academia and practice?
What is the role of the prototype in establishing or refining applied research strategies?
CALL CLOSED
Issue 12/2026
edited by Luigiemanuele Amabile (University of Naples Federico II), Marianna Ascolese (University of Naples Federico II), Alberto Calderoni (University of Naples Federico II), Lorenzo Perri (Royal College of Arts London; Lemonot), Sabrina Morreale (Architectural Association School of Architecture, London; Lemonot).
Guidelines for Authors.
Peer Review
Call for Contributions
aims to investigate the academic context(s) of architectural design studios as laboratories of learning and, at the same time, practices of teaching.
dedicates particular attention ito the constitution and conveying of this knowledge in the context of academic teaching.
considers design studios as sites of mutual exchange between those who teach and those who learn, as collective environments that foster collaboration, as opposed to centralized decision-making models.
investigates how mutual interdependencies of practice, teaching and learning inform academic training in architectural studies and lifelong projects of practice.
»Knowledge of Form« addresses the question: How are we teaching / learning architectural design?
»Form(s) of Knowledge« address the question: Which forms of knowledge are genuine to architectural design?
This issue’s objective is to restore confidence in architectural design as a precious tool of discovery, research, invention, and testing: claiming the knowledge of form as form(s) of knowledge.
CALL CLOSED
Issue 13/2027
edited by Jörg Schröder (Leibniz University Hannover), Alissa Diesch (Universidad del Norte), Anna Pape (Leibniz University Hannover), Martynas Germanavičius (Architekturos Fondas), Riccarda Cappeller (Leibniz University Hannover), Rebekka Wandt (Leibniz University Hannover)
invites for contributions to advance knowledge on circularity and the city.
calls for new thinking and reflection on the change of academic and professional paradigms.
is targeting to open up new fields and methods, between design, arts, architecture, and planning.
wants to enhance architectural-urbanistic knowledge towards climate-neutrality and to embed it into the overall aim for sustainable cities.
aims to overlay, interrelate, and debate on how to combine concepts of material city, lived city, and city as community, leading to approaches to understand, shape, and change dynamic spatial realities.
asks for a new role of culture, arts, and creativity for urbanism and urban transformation.
How and in which form an urban perspective can change the understanding and upscaling of practices and experiments?
How can design- and space-driven perspectives contribute to understand circular approaches as urban and territorial innovation in an economic, cultural, and social sense?
How can space-driven and performative-oriented perspectives foster new forms to involve, activate, and engage?
Issue Advisory Board
Marite Guevara (Ersilia Foundation), Selma Harrington (Architects’ Council of Europe), Eglė Kliučininkas (Architekturos Fondas), Paulius Kliučininkas (Architekturos Fondas), Larissa De Rosso (Architects’ Council of Europe), Federica Scaffidi (Leibniz University Hannover), Andreu Ulied (Ersilia Foundation), Jackie Williams (Leibniz University Hannover).
OPEN CALL
edited by
Jan Engelke and Valerie Kronauer
(Technical University of Munich)
Guidelines for Authors
Peer Review
Call for Contributions
Extended Abstracts
Deadline: January 15, 2026
Contribution
Deadline: May 15, 2026
aims to create an open platform for research into the spatial dimensions of existing single-family housing areas.
invites contributions from all disciplines that relate to spatial aspects of architecture and urban planning.
focuses on the built reality of suburban residential areas, with particular attention to the architectural substance, spatial configurations, and material conditions on site.
is interested in the architectural and spatial consequences of socio-spatial and socio-cultural aspects.
asks: how are they articulated in space, how do they flow into planning, and what architectural expression do they find?
aims to close this gap and takes a different approach, explicitly focusing on the existing architectural stock to highlight its material and immaterial qualities and values and make them productive for future transformations.
For further information on the editorial process, please consult the Editorial Policy
The editorial process of all Curated Editions is conducted by the respective Editorial Team.
The Editorial Team defines the thematic framing and objective, formulates the Call for Contributions, and coordinates the entire editorial process of the respective issue.
Editorial Teams of the Curated Editions are supervised by the Lead Editors of the Journal.
The work and responsibilities of the Editorial Teams are structured along the Guidelines for Editors
All contributions to the Curated Editions will be evaluated through a double-blind peer-review procedure.
Criteria for selection are the thematic correspondence to the advertised topic of the respective issue or to the overall topic of the journal.
The Peer Review is conducted according to the following Guidelines for Reviewers
For anonymous submission, please upload your work here.
Please note that all contributions have to strictly respect the Guidelines for Authors.
The peer-review process is guided by the following superordinate aspects:
Originality of the work, appropriateness of applied methodology to the research question posed, coherence of the argumentation, comprehensibility of the answer to the questions underlying the contribution, consistency of content with the theme of the respective edition framed in the call for papers or the overall theme of the journal.
It is required that all contributions relate to the body of knowledge in the architecture discipline.
As the journal aims to investigate the creation, constitution, and mediation of architecture-specific knowledge, proximity to this umbrella subject is an inevitable requirement for selection.
For further information regarding the peer review procedure, please consult the Editorial Policy
Uta Graff
Ferdinand Ludwig
Katharina Voigt
c/o
Technical University of Munich
Chair of Architectural Design and Conception, Prof. Uta Graff
Arcisstrasse 21
80333 Munich
Germany
The people behind Dimensions Journal and the responsible data controller for this website is BauHow5.
Uta Graff
Ferdinand Ludwig
Katharina Voigt
You can contact us any time via email or the postal address above, if you have questions about our privacy policy.
This is an overview of how we handle your personal data. Please see the sections below for further details.
https://dimension-journal.eu We don’t collect any personal data on our website except server logs.
GDPR is all about your rights as users and we think this is great! You can exercise your rights by sending us an email at mail@dimension-journal.eu.
Our website does not set any cookies by default. Cookies are only set by the shop when visiting the “Buy” page or when using an affiliate link to visit our website.
We do not use any trackers, social media buttons or analytics services on our website.
We do not use any third-party services.
This site uses TLS encryption for security reasons and to protect the transmission of confidential data. You can recognize an encrypted connection in your browser’s address line when it changes from “http://” to “https://” and when the lock icon is displayed in your browser’s address bar.
If TLS encryption is activated, the data you transfer to us cannot be read by third parties.
Hosting for this website is provided by all-inkl
ALL-INKL.COM - Neue Medien Münnich
Inhaber: René Münnich
Hauptstraße 68
D-02742 Friedersdorf
all-inkl complies with GDPR. The servers are located in Germany. You can find their privacy policy here: https://all-inkl.com/datenschutzinformationen
We automatically collect and store information that your browser transmits to us in “server log files” on our Linode server. These are:
— Browser type and browser version
— Operating system used
— Referrer URL
— Host name of the accessing computer
— Time of the server request
— IP address
This data will not be combined with data from other sources.
The basis for data processing is Art. 6 (1) (f) DSGVO, which allows the processing of data to fulfill a contract or for measures preliminary to a contract.
Prof. Uta Graff
Katharina Voigt
Chair of Architectural Design and Conception
Technical University of Munich
Arcisstrasse 21, 80333 Munich
Prof. Dr. Ferdinand Ludwig
Chair of Green Technologies in Landscape Architecture
Technical University of Munich
Arcisstrasse 21, 80333 Munich
Prof. Uta Graff, Prof. Dr. Ferdinand Ludwig, and Katharina Voigt are the initiators and editors-in-chief of »Dimensions. Journal of Architectural Knowledge,« published by transcript Academic Publishing.
Internet pages identified by name reflect the opinions and findings of the persons named.
Hans Kadel
OFF STUDIO
Berlin
We’re using Kirby CMS v3, hosted at all-inkl.com in Germany. For more details, see our Data Privacy
Despite careful content control, we assume no liability for the content of external links. For the corresponding content of linked pages, their administrators are responsible. Especially marked contributions in the discussion areas represent the author’s opinion. For the contents of the articles, the authors are solely responsible.
Cross-references (“links”) to the websites of other providers are to be distinguished from our own content. Through these links, we provide access to third-party content in accordance with Section 8 of the German Telemedia Act. When first linking to these Internet offers, we have checked the external content to see whether it could trigger any possible civil or criminal liability. However, we cannot constantly check these external contents for changes and therefore cannot assume any responsibility for them. For illegal, incorrect, or incomplete content and especially for damages resulting from the use or non-use of information provided by third parties, the respective provider of the site is solely liable.